Point of view in any work is the author's call. I believe this. When we put pen to paper or finger to keyboard, we KNOW what person POV we want to use.
There is STILL a big discussion about headhopping. To me, headhopping is switching almost incessantly back and forth. Did John say that? No, I think it was Tina. THAT drives me up the wall.
But I ENJOY having both perspectives. I want to know what the hero is thinking, also. It doesn't make the work shallow for me, it adds depth. I'm sure we've all heard that Nora headhops. And that used to be BIG in the seventies/eighties. And now, editors and publishers are trying to narrow down the POV to one character. To this, I say bullsh*t. I've read quite a few bestsellers lately, and this hasn't changed. Sorry about that.
Chick Lit consistently stays in one person's head for the simple point that it's egocentric. I'm not saying bad. Do NOT send me emails. LMAO
I'm saying egocentric. It IS all about the character. And that's how it's marketed.
But romance? It's about two people. At the very heart, two people. And I like to know what ol' boy is thinking every once in awhile. God knows I can't read men's minds in the real world. Throw me a bone. *grinning* So will I change what I write to ONE person's point of view? No. I won't. I'll stick to my guns. And if you're opinion differs, that's fine. I respect that. But you won't change my mine.
1 year ago