Long title, eh? *laughing*
I was watching "The Dead Zone" on USA last night. LOVE it. SO happy that someone is playing new episodes of something I watch. It's great on so many levels, and I LOVE the psychic angle. And Anthony Michael Hall? That boy has grown up since his teenage flicks. Ahem...but I digress.
There was a moment in time when Johnny helped himself to a document that he needed to break a case and find a missing woman. When the document was later brought up to press a key player for what he knew...the man didn't raise hell and wonder how Johnny got the document. Nope. Didn't ask. Didn't have a lawyer. Nada. He simply gave up the information.
Now. I looked at the clock. It was about a quarter til. That meant they had to wrap the story up at a rapid rate of speed for it to end on the hour.
I realize that a TV show must take shortcuts sometimes for these things to happen. I know that. It's really only 40-45 minutes of show and 15-20 minutes of commercials.
But there are times when I look at moments like this and want to pull my hair out. Because to me, it's passed over from "real" to a "device." I don't like the glitches. Seamless, man. Seamless.
It's when Phoebe of "Charmed" fame gets a new boyfriend every so many episodes so she can go through the "It's so hard being a witch, I'll never find a man" syndrome. And in this vein, I ask: WHY oh WHY did they kill off Billy Zane? He is yummy. Bet he had a movie to make or something. SIGH
It's when a character off of ANY detective/crime drama finally steps forward with evidence that was needed. Their guilt or conscience (i.e. the writers or producers) made them do it. And then the day is saved.
Sometimes I don't need the "packaged" ending. I want the messy one. And if the ending is "packaged" then I want all the events leading up to it to make sense and be cohesive.
Because when characters of any sort pull this, I tend to listen to them less and less. Their credibility is SHOT.
1 year ago